The Arrival is a migrant story told as a series of wordless images that might seem to come from a long forgotten time.
A man leaves his wife and child in an impoverished town, seeking better prospects in an unknown country on the other side of a vast ocean. He eventually finds himself in a bewildering city of foreign customs, peculiar animals, curious floating objects and indecipherable languages.
With nothing more than a suitcase and a handful of currency, the immigrant must find a place to live, food to eat and some kind of gainful employment. He is helped along the way by sympathetic strangers, each carrying their own unspoken history: stories of struggle and survival in a world of incomprehensible violence, upheaval and hope.
Set against Iceland’s stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.
Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tóti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes’s death looms, the farmer’s wife and their daughters learn there is another side to the sensational story they’ve heard.
Ruslan slipped away from the cafe and the curious onlookers.
He began to run, not knowing exactly why, but instinct made him head away from the sea.
In the distance, along the seafront of Ujung Karang, screams rose from a hundred, a thousand mouths.
Sarah is on holiday sailing with her family when their boat is crushed by the tsunami.
She and her brother make it ashore but their mother is killed and their father is missing.
Ruslan has lived in Indonesia all his life, and can’t believe the destruction that the sea has caused.
Searching for his dad, Ruslan meets Sarah, and their lives are thrown together in the aftermath of the devastation.
Adapted for the stage by Patricia Cornelius from Morris Gleitzman’s best-selling novel, Boy Overboard depicts a deeply human side of the ‘asylum seekers’ issue by following the journey of Jamal and Bibi from Afghanistan to Australia.
Their dream is to play soccer for Australia in the next World Cup. Before they reach Australia though, they must face landmines, pirates, storms and assassins.
Based on real life events, this is a moving play about young people overcoming the confusion of war, politics and the search for a safe haven.
Subhi is a refugee. Born in an Australian permanent detention center after his mother and sister fled the violence of a distant homeland, Subhi has only ever known life behind the fences. But his world is far bigger than that—every night, the magical Night Sea from his mother’s stories brings him gifts, the faraway whales sing to him, and the birds tell their stories. And as he grows, his imagination threatens to burst beyond the limits of his containment.
The most vivid story of all, however, is the one that arrives one night in the form of Jimmie—a scruffy, impatient girl who appears on the other side of the wire fence and brings with her a notebook written by the mother she lost. Unable to read it herself, she relies on Subhi to unravel her family’s love songs and tragedies.
Subhi and Jimmie might both find comfort—and maybe even freedom—as their tales unfold. But not until each has been braver than ever before.
There are many types of battle in Afghanistan. Imagine living in a country where women and girls are not allowed to leave the house without a man. Imagine having to wear clothes that cover every part of your body, including your face. This is the life of Parvana, a young girl growing up in Afghanistan under the control of an extreme religious military group.
When soldiers burst into her home and drag her father off to prison, Parvana is forced to take responsibility for her whole family, dressing as a boy to make a living in the marketplace of Kabul, risking her life in the dangerous and volatile city.
Jamal loves playing football, which isn’t easy is your goalie only has one leg
and you keep having to dodge landmines to get your ball back.
Jamal’s stubborn little sister, Bibi, is even better at football than Jamal.
But girls playing football is against the law in Afghanistan.
When it is discovered that Jamal’s mother has been secretly running a school,
the family must leave their home immediately and begin a long and dangerous journey to Australia.
The children survive separation from their parents, hunger, and violent smugglers
only to find that Australia isn’t as welcoming as they had thought but, even though they face an uncertain future,
Jamal, Bibi and their parents know that as long as they are together, that is all that matters.