13-year-old Lakshmi lives an ordinary life in Nepal, going to school and thinking of the boy she is to marry.
Then her gambling-addicted stepfather sells her into prostitution in India.
Refusing to be with men, she is beaten and starved until she gives in.
“In between, men come./They crush my bones with their weight./They split me open./Then they disappear. I hurt./I am torn and bleeding where the men have been”.
She is told that if she works off her family’s debt, she can leave, but she soon discovers that this is virtually impossible.
When a boy who runs errands for the girls and their clients begins to teach her to read, she feels a bit more alive, remembering what it feels like to be the number one girl in class again.
When an American comes to the brothel to rescue girls, Lakshmi finally gets a sense of hope.
Katherine V thought boys were gross
Katherine X just wanted to be friends
Katherine XVIII dumped him in an e-mail
K-19 broke his heart
When it comes to relationships, Colin Singleton’s type happens to be girls named Katherine. And when it comes to girls named Katherine, Colin is always getting dumped. Nineteen times, to be exact.
On a road trip miles from home, this anagram-happy, washed-up child prodigy has ten thousand dollars in his pocket, a bloodthirsty feral hog on his trail, and an overweight, Judge Judy-loving best friend riding shotgun–but no Katherines. Colin is on a mission to prove The Theorem of Underlying Katherine Predictability, which he hopes will predict the future of any relationship, avenge Dumpees everywhere, and finally win him the girl. Love, friendship, and a dead Austro-Hungarian archduke add up to surprising and heart-changing conclusions in this ingeniously layered comic novel about reinventing oneself.
In this collection of stories, the characters are ordinary people who battle to maintain loyalty against all odds; women, children and men whose relationships strain under pressure and leave them bewildered, hoping, sometimes fleeing, but often finding strength in forgotten parts of themselves.
A beautiful and distinguished family.
A private island.
A brilliant, damaged girl; a passionate, political boy.
A group of four friends—the Liars—whose friendship turns destructive.
A revolution. An accident. A secret.
Lies upon lies.
In a single moment, everything changes. Seventeen-year-old Mia has no memory of the accident; she can only recall riding along the snow-wet Oregon road with her family. Then, in a blink, she finds herself watching as her own damaged body is taken from the wreck… A sophisticated, layered, and heartachingly beautiful story about the power of family and friends, the choices we all make—and the ultimate choice Mia commands.
One extraordinary love.
Eleanor… Red hair, wrong clothes. Standing behind him until he turns his head. Lying beside him until he wakes up. Making everyone else seem drabber and flatter and never good enough…Eleanor.
Park… He knows she’ll love a song before he plays it for her. He laughs at her jokes before she ever gets to the punch line. There’s a place on his chest, just below his throat, that makes her want to keep promises…Park.
Set over the course of one school year, this is the story of two star-crossed sixteen-year-olds—smart enough to know that first love almost never lasts, but brave and desperate enough to try.
John Dante is so enmeshed in WW II’s patriotic fever that he can hardly wait for his 18th birthday, in 1942, to enlist. Meanwhile, his sister, stricken with empathy and concern, is engaged to two soldiers and pregnant by a third; Dad, a nuclear physicist, is called from Pittsburgh to California for secret research; and John falls sweetly, ardently in love with pretty Ginny, who urges him to become a conscientious objector. To John, her fervent pacifism is incomprehensible; but as he endures active combat, without relief, until 1945, stereotypes give way to the reality of the enemy’s humanity, and Ginny’s ideas become clear. Still, after his long immersion in horror, John never communicates with her again-until a message at the end of this novel, narrated in 1992 when he’s a retired professor in Canada: “I want you to know that I am really alive. And I still love you.” Yet John has not been “alive” as he might have been: a lifelong solitary, he was even driven from his home by the war (“I could not stay in America because America had not suffered”). Rylant depicts-with some irony and much insight and compassion-the tragedy of young men putting aside their true selves and fighting in a war in which they ultimately lose faith.