In Beatrice Prior’s dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue—Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is—she can’t have both. So she makes a choice that surprises everyone, including herself.
During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are—and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she’s chosen. But Tris also has a secret, one she’s kept hidden from everyone because she’s been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . . or it might destroy her.
It’s the year 2140 and Longevity drugs have all but eradicated old age. A never-aging society can’t sustain population growth, however…which means Anna should never have been born. Nor should any of the children she lives with at Grange Hall. The facility is full of boys and girls whose parents chose to have kids—called surpluses—despite a law forbidding them from doing so. These children are raised as servants, and brought up to believe they must atone for their very existence. Then one day a boy named Peter appears at the Hall, bringing with him news of the world outside, a place where people are starting to say that Longevity is bad, and that maybe people shouldn’t live forever. Peter begs Anna to escape with him, but Anna’s not sure who to trust: the strange new boy whose version of life sounds like a dangerous fairy tale, or the familiar walls of Grange Hall and the head mistress who has controlled her every waking thought?
Sixteen-year-old Katniss poaches food for her widowed mother and little sister from the forest outside the legal perimeter of District 12, the poorest of the dozen districts constituting Panem, the North American dystopic state that has replaced the U.S. in the not-too-distant future. Her hunting and tracking skills serve her well when she is then cast into the nation’s annual Hunger Games, a fight to the death where contestants must battle harsh terrain, artificially concocted weather conditions, and two teenaged contestants from each of Panem’s districts.
District 12’s second “tribute” is Peeta, the baker’s son, who has been in love with Katniss since he was five. Each new plot twist ratchets up the tension, moving the story forward and keeping the reader on edge. Although Katniss may be skilled with a bow and arrow and adept at analyzing her opponents’ next moves, she has much to learn about personal sentiments, especially her own.
Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a gorgeous plot twist named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel’s story is about to be completely rewritten.
Galen is the prince of the Syrena, sent to land to find a girl he’s heard can communicate with fish. Emma is on vacation at the beach. When she runs into Galen—literally, ouch!—both teens sense a connection. But it will take several encounters, including a deadly one with a shark, for Galen to be convinced of Emma’s gifts. Now, if he can only convince Emma that she holds the key to his kingdom…
Everyone knows that Joel and Cat hate each other. Then they end up partners in a writing assignment. By the second paragraph they’re in the thick of an all-out tandem-story war.
Then Cat’s dad and Joel’s mum start dating, and they can finally agree on something – it’s got to stop. But will sparks fly between Joel and Cat for all the right reasons as they go about setting a few things straight?