Lale Sokolov is well-dressed, a charmer, a ladies’ man. He is also a Jew. On the first transport from Slovakia to Auschwitz in 1942, Lale immediately stands out to his fellow prisoners. In the camp, he is looked up to, looked out for, and put to work in the privileged position of tätowierer – the tattooist – to mark his fellow prisoners, forever. One of them is a young woman, Gita, who steals his heart at first glance.
His life given new purpose, Lale does his best through the struggle and suffering to use his position for good.
This story, full of beauty and hope, is based on years of interviews author Heather Morris conducted with real-life Holocaust survivor and Auschwitz- Birkenau tattooist Ludwig (Lale) Sokolov. It is heart-wrenching, illuminating, and unforgettable.
War is being fought on a horrific scale in the trenches of France, but it might as well be a world away from sixteen–year–old New Zealander Midge Macpherson, at school in England learning to be a young lady. But the war is coming closer: Midge”s brothers are in the army, and her twin, Tim, is listed as “missing” in the devastating defeat of the Anzac forces at Gallipoli .Desperate to do their bit, Midge and her friends Ethel and Anne start a canteen in France, caring for the endless flow of wounded soldiers returning from the front. Midge, recruited by the over–stretched ambulance service, is thrust into carnage and scenes of courage she could never have imagined. And when the war is over, all three girls – and their Anzac boys as well – discover that even going “home” can be both strange and wonderful.
In Nobel laureate Elie Wiesel’s memoir Night, a scholarly, pious teenager is wracked with guilt at having survived the horror of the Holocaust and the genocidal campaign that consumed his family. His memories of the nightmare world of the death camps present him with an intolerable question: how can the God in whom he once so fervently believed have allowed these monstrous events to occur? There are no easy answers in this harrowing book, which probes life’s essential riddles with the lucid anguish only great literature achieves. It marks the crucial first step in Wiesel’s lifelong project to bear witness for those who died.
John Dante is so enmeshed in WW II’s patriotic fever that he can hardly wait for his 18th birthday, in 1942, to enlist. Meanwhile, his sister, stricken with empathy and concern, is engaged to two soldiers and pregnant by a third; Dad, a nuclear physicist, is called from Pittsburgh to California for secret research; and John falls sweetly, ardently in love with pretty Ginny, who urges him to become a conscientious objector. To John, her fervent pacifism is incomprehensible; but as he endures active combat, without relief, until 1945, stereotypes give way to the reality of the enemy’s humanity, and Ginny’s ideas become clear. Still, after his long immersion in horror, John never communicates with her again-until a message at the end of this novel, narrated in 1992 when he’s a retired professor in Canada: “I want you to know that I am really alive. And I still love you.” Yet John has not been “alive” as he might have been: a lifelong solitary, he was even driven from his home by the war (“I could not stay in America because America had not suffered”). Rylant depicts-with some irony and much insight and compassion-the tragedy of young men putting aside their true selves and fighting in a war in which they ultimately lose faith.
The Arrival is a migrant story told as a series of wordless images that might seem to come from a long forgotten time.
A man leaves his wife and child in an impoverished town, seeking better prospects in an unknown country on the other side of a vast ocean. He eventually finds himself in a bewildering city of foreign customs, peculiar animals, curious floating objects and indecipherable languages.
With nothing more than a suitcase and a handful of currency, the immigrant must find a place to live, food to eat and some kind of gainful employment. He is helped along the way by sympathetic strangers, each carrying their own unspoken history: stories of struggle and survival in a world of incomprehensible violence, upheaval and hope.