Everyone thinks that Sophie is an orphan. True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has – the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers – urchins who live in the sky. Together they scour the city for Sophie’s mother before she is caught and sent back to London, and most importantly before she loses hope.
Archive for 13/11/2020
Adapted for the stage by Patricia Cornelius from Morris Gleitzman’s best-selling novel, Boy Overboard depicts a deeply human side of the ‘asylum seekers’ issue by following the journey of Jamal and Bibi from Afghanistan to Australia.
Their dream is to play soccer for Australia in the next World Cup. Before they reach Australia though, they must face landmines, pirates, storms and assassins.
Based on real life events, this is a moving play about young people overcoming the confusion of war, politics and the search for a safe haven.
Marilla and Matthew Cuthbert are in for a big surprise.
They are waiting for an orphan boy to help with the work at Green Gables – but a skinny, red-haired girl turns up instead.
Feisty and full of spirit, Anne Shirley charms her way into the Cuthberts’ affection with her vivid imagination and constant chatter.
It’s not long before Anne finds herself in trouble, but soon it becomes impossible for the Cuthberts to imagine life without ‘their’ Anne – and for the people of Avonlea to recall what it was like before this wildly creative little girl whirled into town.