Before, I was a million things. Now I’m only one. The Burned Girl.
Ava Lee has lost everything there is to lose: Her parents. Her best friend. Her home. Even her face. She doesn’t need a mirror to know what she looks like–she can see her reflection in the eyes of everyone around her.
A year after the fire that destroyed her world, her aunt and uncle have decided she should go back to high school. Be “normal” again. Whatever that is. Ava knows better. There is no normal for someone like her. And forget making friends–no one wants to be seen with the Burned Girl, now or ever.
But when Ava meets a fellow survivor named Piper, she begins to feel like maybe she doesn’t have to face the nightmare alone. Sarcastic and blunt, Piper isn’t afraid to push Ava out of her comfort zone. Piper introduces Ava to Asad, a boy who loves theater just as much as she does, and slowly, Ava tries to create a life again. Yet Piper is fighting her own battle, and soon Ava must decide if she’s going to fade back into her scars . . . or let the people by her side help her fly.
John Dante is so enmeshed in WW II’s patriotic fever that he can hardly wait for his 18th birthday, in 1942, to enlist. Meanwhile, his sister, stricken with empathy and concern, is engaged to two soldiers and pregnant by a third; Dad, a nuclear physicist, is called from Pittsburgh to California for secret research; and John falls sweetly, ardently in love with pretty Ginny, who urges him to become a conscientious objector. To John, her fervent pacifism is incomprehensible; but as he endures active combat, without relief, until 1945, stereotypes give way to the reality of the enemy’s humanity, and Ginny’s ideas become clear. Still, after his long immersion in horror, John never communicates with her again-until a message at the end of this novel, narrated in 1992 when he’s a retired professor in Canada: “I want you to know that I am really alive. And I still love you.” Yet John has not been “alive” as he might have been: a lifelong solitary, he was even driven from his home by the war (“I could not stay in America because America had not suffered”). Rylant depicts-with some irony and much insight and compassion-the tragedy of young men putting aside their true selves and fighting in a war in which they ultimately lose faith.
Rosie and Nona are sisters. Yapas.
They are also best friends. It doesn’t matter that Rosie is white and Nona is Aboriginal: their family connections tie them together for life.
The girls are inseparable until Nona moves away at the age of nine. By the time she returns, they’re in Year 10 and things have changed. Rosie prefers to hang out in the nearby mining town, where she goes to school with the glamorous Selena and her gorgeous older brother, Nick.
When a political announcement highlights divisions between the Aboriginal community and the mining town, Rosie is put in a difficult position: will she have to choose between her first love and her oldest friend?
Black Inc. Books